The Supremes 'I Hear a Symphony' is 50 years old
Diana Ross was placed at the front for the trio's greatest album, a lush platter of pop perfection.
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In today's age, a pop act will take a three year break between albums like it's a nap. On February 18, 1966, the Supremes released I Hear a Symphony, their eighth album in 38 months. The music biz moved a lot faster half a century ago.
Motown released the trio's first long-player, Meet the Supremes, at the close of 1962. In the few years since, the group had recorded albums of country music, British invasion covers, Sam Cooke tributes and Christmas carols. The Michigan girl group had toured with Dick Clark's Caravan of Stars and appeared on television series such as Shindig! and Hullabaloo. In that run, late in 1963, label boss Berry Gordy decided that Diane Ross had a little something extra than Mary Wilson and Florence Ballard and made the Detroit beauty the lead singer. In 1965, as one could tell by her signature on the cover of More Hits by the Supreme, Diane became Diana.
Having already packed a full career in a few annual calendars, the Supremes nevertheless took their artistry to another level with I Hear a Symphony. They couldn't rightly have a hit single and record called "I Hear a Symphony" without delivery something, well, symphonic. The brilliant writing tandem of Holland–Dozier–Holland, teamed with producer Norman Whitfield, crafted a sound as towering and perfect as Diana's beehive, with nary a violin bow hair out of place.
The results were lush as a mink coat, with the diamond twinkle of chimes and pianos. The threesome tackled hit ballads of the day by the Beatles ("Yesterday") and the Righteous Brothers ("Unchained Melody"). For a group born in the era of singles, the LP stands as their greatest complete album.
Before heading into the studio, the plan had been for the women to cover a set of pop standards. Those jazz covered were canned for a later date. Instead, the Supremes made a few American standards of their own.