Young Frankenstein wasn’t Madeline Kahn’s first foray into the world of Mel Brooks, and it certainly wouldn’t be her last. Previously, the actor appeared in movies like What’s Up, Doc? (1972) and Blazing Saddles (1974) before she starred in the 1974 horror-comedy film. In later years, she would also appear in High Anxiety (1977) and History of the World, Part I (1981).

As a frequent actor in Brooks’ films, Kahn was a favorite of the director. With her wit and talent, there was simply no role the actor was not perfect for.

“I always think of her first for my ladies,” said director Mel Brooks during an interview with The Los Angeles Times. “There are just very few ladies who are so versatile, who can sing so beautifully, who have her earnestness. On Frankenstein, she came into the project late. She was the greatest relief pitcher in the world. From her first entrance, she raised the whole level of the film. That girl is truly radiant.”

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Kahn admitted that her success in the industry wasn’t the result of raw talent, but rather the reward for years of hard work and a love of her craft.

“Cinderella, I am not,” said Kahn. “I’m not a child bride of the movies, either. I’ve been working for 11 years. I’m not plugging for fame. I do need to do very good work. I like being acknowledged, but it’s not my first goal. As for stardom, I could blow the whole thing; I have no desire to do everything. I just want to do wonderful roles.”