Lucille Ball reveals the comedy legend who taught her everything... And it’s not who you think!

Discover how Lucille Ball drew comedic inspiration from a silent film legend. From props to timing, learn how his influence helped shape one of television’s greatest icons.

CBS Television Distribution

Inspiration Is Important For Any Artist

“Good artists borrow, great artists steal.” This quote is most often attributed to Pablo Picasso, although there's little evidence to suggest that he was the first to say it. So, Picasso may have even stolen that very sentiment. While debate may continue as to who deserves credit for that particular quote, the point is clear and resonant: The best artists are the ones who allow themselves to be the most inspired.

Lucille Ball: A Comedy Icon Who Embraced Her Forebears

One such artist was Lucille Ball, who would actively seek inspiration and advice throughout her career. 

Buster Keaton’s Influence on Lucille Ball’s Comedic Genius

At one point, that advice and inspiration came from one of the all-time great physical comedians, Buster Keaton. Fans can draw a throughline from Keaton's work straight through Ball's, as both had a unique mastery of making their bodies funny.

What Lucille Ball Learned from Buster Keaton

Lucy elaborated on the point in a 1966 interview with The Boston Globe.

"I learned more from him about comedy than I can ever describe. Chiefly, he taught me how to use props, which have played such a big part in my work. He taught me how to use them, always to know where they were, never to leave them to anyone else. But more than that, I learned so much from his great knowledge of the comedic situation."

A Once-in-a-Lifetime Moment: Lucy and Buster Together On Screen

"We never made a movie together, but last Fall when they asked me to do a routine with Buster on the television tribute to Stan Laurel I agreed, even though I knew it was not right for me, because I also knew I'd never have another chance to work with him."

Buster Keaton’s Legacy Through Lucy’s Eyes

"He was terribly ill, and I didn't think he'd last through the day. What a wonderful man he was. He was amusing. Never did a cruel thing in his life. He was the biggest playboy of our time, spent millions on parties, on people, and anyone who wanted it. He would do anything for a laugh. For years, he couldn't get a job, so when the money ran out, he went to Europe with his wife Eleanor and sold them his early one-reelers—The General, The Navigator, The Passionate Plumber. He was rolling in money again."