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9 TV shows that were too ahead of their time in the early 1970s
Even Norman Lear and the M*A*S*H creators came up with some overly ambitious flops.
Images: The Everett Collection
The early Seventies was a revolutionary era for American television. Some call it the "rural purge," but it could just be that tastes were changing with the times. Sitcoms shifted from idyllic, lighthearted tales to topical comedies set in the big city. There were more shows about single women, black families, emergency services, and young Americans, as networks looked more to realism than escapism.
The era gave us M*A*S*H, Mary Tyler Moore, All in the Family, Police Woman and The Jeffersons, just to name a few. But other forward-looking series did not fare as well. Let's take a look at some forgotten series that were perhaps just too ahead of their time.
1. The Marty Feldman Comedy Machine
1971
By 1971, Monty Python's Flying Circus had aired two seasons of pioneering sketch comedy in the U.K. However, the British series did not air in the U.S.A. until PBS took a chance on the show in 1974. That made The Marty Feldman Comedy Machine revolutionary for comedy in American airwaves in 1971. Feldman, a chameleon-eyed comic from London, had much in common with Python, even utilizing animations from Terry Gilliam on his Machine. Influential British comedy icon Spike Milligan also appeared on the short-lived ABC series, which was perhaps too different a flavor of humor, like laughter Marmite.
Image: The Everett Collection
2. Longstreet
1971–72
Bruce Lee had become a household name as the sidekick Kato on The Green Hornet in 1966, but Longstreet allowed the martial arts icon to be himself, as he played a Jeet Kune Do instructor name Li Tsung. This was still before Way of the Dragon and Enter the Dragon. The action-drama allowed Lee to deliver his principal philosophies of "be like water," and he taught Longstreet. Which brings us to the main character, Mike Longstreet (James Franciscus), a blind insurance investigator.
Image: The Everett Collection
3. The Corner Bar
1972–73
From the image and title, you can surmise that The Corner Bar was essentially a spiritual precursor to Cheers, which would arrive a decade later. The sitcom centered around the denizens of a NYC watering hole called Grant's Tomb. Most revolutionary, however, was Peter Panama, portrayed by Vincent Schiavelli, the first recurring gay character on American television. The wonderful Anne Meara also nabbed a lead role.
Image: The Everett Collection
4. Search
1972–73
Sometimes, even the technology of a show can be too ahead of its time. The futuristic suspense of Search, a.k.a. Probe, centered around the investigators of the World Securities Corporation. Using circuit-filled rings and medallions, not to mention an array of computers, the three lead agents (Hugh O'Brian, Tony Franciosa, Doug McClure) could use their miniature tech to read vital signs, communicate, film, record, etc. Their boss, played by the wonderful Burgess Meredith, was even named "V.C.R." Remember the VCR had only just hit the consumer market. Some credit the show's failure to being just too advanced technologically — though not set in the future — to seem relatable.
Image: The Everett Collection
5. Temperatures Rising
1972–74
Before 1972, medical shows on television had largely been serious dramas or soap operas. M*A*S*H and Temperatures Rising changed that. While the Korean War dramedy utilized humor as the character's coping mechanism during horrific experiences, Temperatures Rising was pitched more as an outright farce set in the healthcare industry. The notion of not taking doctors seriously shocked some, as Temperatures Rising wrote with a dark, satirical sense of gallows humor, with the doctors' continual malpractice and exorbitant bills. To boot, the sitcom was built around a young black surgeon (Cleavon Little) with a mischievous streak. The doctors of the fictional Capitol General hospital would misread X-rays as they charged patients $185 a night for a room. Lambasted for its irreverence, the show retooled in season two, adding the popular Paul Lynde to the cast, but it was too late to revive.
Image: The Everett Collection
6. Hot l Baltimore
1975
Producer Norman Lear pushed boundaries with frank, contemporary sitcoms such as All in the Family, One Day at a Time, The Jeffersons and Good Times. But some of his productions were perhaps too aggressive. ABC aired a disclaimer before episodes of Hot l Baltimore (the "E" in the hotel sign had burned out) warning of its "mature themes." The characters included illegal immigrants, sex workers and gay couples. Even the Baltimore affiliate opted to air something else. Despite a fantastic cast — Oscar nominee James Cromwell, SAG president Richard Masur, Emmy nominee Conchata Ferrell, Emmy and Tony nominee Charlotte Rae — Hot l checked out quickly as Lear's first major flop.
Image: The Everett Collection
7. Karen
1975
M*A*S*H co-creators Gene Reynolds and Larry Gelbart, hot off their success, realized that American television had set many shows in its capitol about its government. Thus, they came up with Karen, a showcase for Emmy-winner Karen Valentine (Room 222). Karen's character was a consumer advocate and lobbyist for Open America, fighting corruption in Washington, D.C. The critics were condescending and chauvinistic in their appraisals, claiming Karen was "too cute" to be "taken seriously." Writers focused on her appearance, not her character, noting "a pretty face can only take you so far."
Image: The Everett Collection
8. Khan!
1975
No, this was not a series about Captain Kirk and his nemesis. Khigh Dhiegh (best known as Wo Fat on Hawaii Five-O) led a cast that included Asian-American stars Evan C. Kim and Irene Yah-Ling Sun. Khigh Dhiegh, born Kenneth Dickerson in New Jersey, was actually of Anglo-Egyptian Sudanese ancestry, yet was typecast in Asian roles throughout his career. Still, here was a detective show with a primarily minority cast. Dhiegh was a committed practitioner and proponent of Taoism, who founded the Taoist Sanctuary in Hollywood. Perhaps that is what led him to, in an unprecedented move, take no credit for his lead role on Khan! That's right — he was the face of the show but went unbilled. He also eschewed promoting the series, which is probably why it only lasted four episodes.
Image: The Everett Collection
9. Sunshine
1975
Just look at the little girl's, Elizabeth Cheshire's, face at the bottom of this image. Typically, children on American television had been sweet kids like Beaver Cleaver, at worst charming imps like Dennis the Menace. Sunshine strove for realism. Chicago Tribune called Cheshire a "pest." The series focused on a hippie musician and single father (Cliff DeYoung) struggling to raise his daughter. Yep, that is indeed Bill Mumy, formerly Will Robinson, on the far left as a folkie friend, looking like one of the Beach Boys. The dad was fiercely dedicated to his child, though audiences found the show either too serious and topical or too crunchy and hippie, depending on their outlook. Another critic wisely labeled it "before its time." Thematically. Hippies were certainly not new.
Image: The Everett Collection
SEE MORE: 7 short-lived Sixties TV shows that were too ahead of their time
Gene Roddenberry, George C. Scott and Leslie Uggams led these forward-thinking, forgotten series. READ MORE
56 Comments
A few years before Khan!, Khigh Dhiegh (pronounced KY DEE) made a pilot film called "Judge Dee And The Monastery Murders", for ABC.
Judge Dee was a magistrate in ancient China, who went around the country, solving mysteries (there was a popular series of novels about the character).
In this movie, Khigh Alx Dhiegh received star billing; had the series sold, he would have received the same.
It might have been ...
It was only in its second season that things went wrong. The geniuses at ABC decided to replace James Whitmore with Paul Lynde and re-format the series. Producer William Asher was against this decision and refused to continue with the sitcom. It was only in this second season that the series featured the "dark, satirical sense of gallows humor, with the doctors' continual malpractice and exorbitant bills" and with doctors who "would misread X-rays as they charged patients $185 a night for a room."
When this new format failed in the ratings, ABC asked Asher to return as producer and re-format the series again, returning it to something resembling the first season, albeit with Paul Lynde continuing in the lead. Unfortunately, the series never regained its momentum and was permanently cancelled after its second season.
TEMPERATURES RISING was a fine sitcom (at least in its first season) and one that I would really like to see brought back into syndication.
And Search started as a TV movie called Probe, and I REALLY loved that show. How about getting those on MeTV??
2. Highly recommend Be Water, the ESPN 30 for 30 documentary film about Bruce Lee that recently aired. Included in the film is the scene from Longstreet that's pictured above.
5, 7 & 8. Remember each being publicized well enough at the time but failed to watch any of them.
6. The disclaimer scared me away from the series premiere. Curious enough to have watched its last episode by coming in just after the disclaimer. Boy, was I young & stupid or what (was only 8 then). Should've watched Hot l Baltimore from the get-go. Hate censorship to this very day.
9. Either my older brother or older sister or both watched Sunshine, and I just happened to have been in the same room doing likewise. Cliff De Young was always like fingernails on blackboard. And then, there was Meg Foster's eyes!
as the incomparable Wo Fat! With that being said, why has MeTV REFUSED to place " Hawaii Five-O " back into its schedule; inquiring minds want to KNOW! ! !
It could have been Quality Time or Teaching Moment! Or unintentional YouTube comedy.